![]() Plus on my copy and some other copies the song "homesick" has a horrible static sound all throughout the track that honestly ruins the song for me a bit. The original has much better separation between the instruments and vocals and I much prefer that. I find the extra bass really muddles the instruments and vocals together and creates a muddy sound on some of the songs. This pressing is much louder and has a lot more bass compared to the original and that goes without saying since this is spread out between 2 LPs and while some people might really like this I personally prefer the original pressing. This is by no means a bad pressing and if its the only one you can get go for it. I don't have a super high end system but it's an adequate system and I now own this 2010 pressing and an original 1989 canadian pressing and I have to say this pressing is really underwhelming to me compared to the original. The best thing about this shoot for me was that I was in my own cave away from the others and as soon as they had shot my bits I could leave! I think that video has a great look to it and another Tim Pope triumph.I was always looking for an original of this classic album and a lot of times when I'd mention this other people would mention how much better the 2lp version sounds compared to the original. I have one of the stalagmites in my studio. The art director Richard (Earl) did an amazing job and it was all made out of polystyrene and plaster. But of course they weren’t too keen on having their caves trampled over by a bunch of weird looking music people, so the caves were recreated in a studio in London. The original idea was to shoot it in Cheddar Gorge, a group of amazing caves in western England. We all hated the song and didn’t want it released, and time off was also very valuable at this stage. And in the break between the Euro and US legs of the tour we were forced to go back into the studio and shoot it. We hadn’t planned to make any more videos but then “Lovesong” was released (as a single) and did well in America. We didn’t really like it that much, and it went on to the be the most successful single in the band’s history. I remember there being very heated discussions about it being released. And (manager & record label owner) Chris Parry fought against all of us to get it released (as a single). We didn’t even play it on the European leg of the tour (according to my very reliable sources we did in fact start playing it on the last couple of weeks of the European tour). The biggest surprise of the album was the success of “Lovesong”. The opening shot is terrible, this lingering shot of a huge phallus that makes no pretensions to be a stalagmite at all. The idea was of a fairy cave going on forever, but it looked very cramped and posed. In 1991, Smith shared his opinion of the song’s music video: I realized that while we were recording it. And it’s difficult to do because you run the risk of being laughed at. It’s actually one of the most difficult songs I’ve had to sing. In the past,I’ve always felt a last-minute need to disguise the sentiments or put a twist on them. ![]() But throwing that one in sort of upsets people a bit because they think, ‘This doesn’t fit.’ It’s taken me 10 years to reach the point where I feel comfortable singingĪ very straightforward love song. Would be very easy to dismiss the album as having a certain mood. That one song, I think, hinges the whole Disintegration album and makes many people think twice. I thought, ‘Of all the songs I’d written, this is the one that … cracks through.’ It was quite disappointing. It was kept off the top by, like, Janet Jackson. I thought it was the weakest song on there, and suddenly it went to Number Two in America. I wrote ‘Love Song’ for Mary, my wife, as a wedding present, and I put it on the album to be kind of romantic. In 2004, Robert Smith told Rolling Stone:
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